 Unrated Director's Cut Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she's forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a vengeance in the film that critics rave is "the most crazy, fun and terrifying horror movie in years!" (Owen Gleiberman, Entertainment Weekly) Storyline: Christine Brown is a loans officer at a bank but is worried about her lot in life. She's in competition with a competent colleague for an assistant manager position and isn't too sure about her status with a boyfriend. Worried that her boss will think less of her if she shows weakness, she refuses a time extension on a loan to an old woman, Mrs. Ganush, who now faces foreclosure and the loss of her house. In retaliation, the old woman place a curse on her which, she subsequently learns, will result in her being taken to hell in a few days time. With the help of a psychic, she tries to rid herself of the demon, but faces several hurdles in the attempt. Written by garykmcd Reviewer's Note: Reviewed by Kenneth Brown, October 2, 2009 Sam Raimi's long-awaited, triumphant return to horror has come at last. Despite its teen-friendly rating and restrained gore, Drag Me to Hell is a fierce, nasty, ugly slice of Raimi's twisted talent; a ballsy throwback to '80s frightfest filmmaking that draws upon the same brazen madness and guttural ferocity that have made Evil Dead and its ilk such infectious genre staples. Its reluctant heroine doesn't exude the madcap hilarity of Ash and, while there are touches of skewered humor sprinkled throughout, the darkness that hunts her soul is more of a malevolent menace than a demented Deadite, but Drag Me to Hell is undeniably Raimi. From its stomach-churning obsession with vomit to the crazed rampage of a sacrificial goat to its larynx-crushing climax, it's the return to form fans have been clamoring for. Drag Me to Hell (an aptly conceived, unexpectedly literal title if there ever was one) resurrects one of the genre's most overlooked classic villains: the vengeful gypsy. Parading as a sweet old woman (played with the utmost conviction by Lorna Raver), the gypsy in question turns out to be a spittle-spewing, otherworldly sorceress who sics a dark demigod on a demure loan officer named Christine (Alison Lohman). Christine's sin? Refusing to give the woman a third extension on her mortgage. Now, the young upstart has just three days to find a way to lift her curse before the deadly Lamia nipping at her heels... wait for it... drags her to hell. Christine turns to her boyfriend (Justin Long), but his well-intentioned skepticism isn't much help. Next, she looks to a spiritual advisor (Dileep Rao), but he's terrified of what he sees when he looks into her future. Before long, she finds a potential ally in a mystic (Babel's Adriana Barraza) who unsuccessfully crossed paths with the Lamia once before. It all comes to a head in an unpredictable, multi-tiered third-act stunner that ends with a scream. Let me get this out of the way up front: Raimi's reunion with horror isn't perfect. For a film that frequently pays wry homage to the Evil Dead series (Christine's shed anyone?), humor is often a second-class citizen; so much so that its sudden surges seem a bit out of place. Lohman delivers such a straight-laced, down-to-earth performance that her peril is quite believable. But the increasingly absurd manifestations of her gypsy tormentor leave her matter-of-fact reactions feeling a tad inadequate. If a corpse vomited green bile in my mouth, I wouldn't wipe away the gunk and timidly engage in a conversation. I'd revisit my lunch, my breakfast, and whatever I had for dinner ten years ago. Likewise, while I adore practical effects, late-game elements (like an admittedly amusing dose of puppetry) are distractions, especially when they come in the middle of the film's penultimate showdown. The influx of CG is an occasional eyesore as well. More subtle uses look fantastic; more obvious uses look as if they've been yanked from the direct-to-video playbook. It doesn't help that some of the supporting characters -- namely, David Paymer's bank manager and Reggie Lee's competitive loan officer -- are little more than one-note characters. Both would have worked had Raimi regular Bruce Campbell and brother Ted Raimi filled their shoes (such sideline characters are perfect for audience-winking cameos), but Campbell was apparently unavailable while dutiful Ted was handed the throwaway role of a physician. But does any of it really matter? Honestly, not much. Raimi unleashes such a devilishly delightful parade of beasties and omens that any disruption in tone becomes a fairly negligible casualty of war. I jumped, gasped, gagged, and yelped more often than I care to admit; I laughed, grinned, and applauded the director's genre-fusing boldness more often than I can possibly convey. Drag Me to Hell is an unequivocal joy to watch. Raimi builds exceedingly palpable tension, snaps it, and then uses whatever shattered fragments remain to eviscerate his audience's expectations. Even the film's ending, which I initially thought I had figured out, turned on me like a rabid dog, sunk its teeth into my throat, and reminded me why Raimi is the fearsome filmmaker that he is. There are no Spider-Man 3 missteps to be found. Hell's story is effective, its pacing impeccable, and its characters sharp and consistent. Moreover, older-brother Ivan helps Raimi churn out a fine script, one rife with delicious dialogue and surprising barbs. Christine and her boyfriend are sympathetic and endearing; the spiritual forces that come knocking at their door are creepy, powerful, and unforgiving. Christine's clashes with a shadowed Lamia even give The Exorcist a welcome run for its money, leaving little doubt that invisible supernatural threats can be just as terrifying today as they were thirty-five years ago. Arguably one of Raimi's finest films, Drag Me to Hell is a must-see genre pic that -- love it, like it, or loathe it -- will drag you to the edge of your seat. With nods to the Evil Dead series, Peter Jackson's nauseatingly perverse Braindead, and plenty of other full-throttle horror classics, Raimi has as much fun behind the camera as I had watching it all unfold. It isn't perfect, it isn't the masterclass in filmmaking some have declared it to be, it isn't even the R-rated mad-dash many were hoping for, but it is a vile, vicious, visceral experience that's sure to leave genre junkies giggling with glee. Give this neck-snapping ride a chance... you won't regret it. Please note the Blu-ray edition includes both the theatrical and unrated versions of the film. While both cuts are essentially the same length, the unrated version injects more blood into the proceedings and enhances some of the film's grosser gags. Alas, the results are a mixed bag. Some scenes have been improved (Christine's nosebleed and her fight with the old woman among them) but others are worse for the wear (a falling anvil produces a more cartoonish death, an animal sacrifice nets some over-the-top spatter, and a few CG effects are less effective). Personally, I find myself leaning toward the theatrical cut, but it's a toss-up. A much-anticipated return to form, a rollicking genre treat, a frightfully fun horror gem, Drag Me to Hell will please Raimi fans and newcomers alike. Thankfully, Universal has blessed its Blu-ray release with a heavenly video transfer and a blazing DTS-HD Master Audio track. Granted, the studio drops the supplemental ball, but the film and its AV presentation are well worth the price of admission. Enjoy, dear readers... enjoy. Cast Notes: Alison Lohman (Christine Brown), Justin Long (Clay Dalton), Lorna Raver (Mrs. Ganush), Dileep Rao (Rham Jas), David Paymer (Mr. Jacks), Adriana Barraza (Shaun San Dena), Chelcie Ross (Leonard Dalton), Reggie Lee (Stu Rubin), Molly Cheek (Trudy Dalton), Bojana Novakovic (Ilenka Ganush), Kevin Foster (Milos), Alexis Cruz (Farm Worker), Ruth Livier (Farm Worker’s Wife), Shiloh Selassie (Farm Worker's Son), Flor de Maria Chahua (Young Shaun San Dena). IMDb Rating (02/11/17): 6.6/10 from 162,602 users
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